The Holy Mountain (Original 1973 Motion Picture Soundtrack) DLP

One of the ironies of the career of Chilean-born filmmaker Alejandro Jodorowsky is that while he is best known as a visual stylist, his most avid and loyal champions have often been musicians. When Jodorowsky arrived in New York from Mexico City in 1970 carrying a copy of the then-unreleased El Topo, it was the jazz producer Alan Douglas who bought the distribution rights to the film. When Jodorowsky and Douglas were looking for a venue in which to screen El Topo, it was John Lennon and Yoko Ono who asked for it to run at midnight following their short-film festival at New York’s Elgin Cinema. After six months of sold-out midnight screenings at the Elgin, it was Lennon’s manager, Allen Klein (ABKCO’s founder), who bought the rights to El Topo and agreed to produce its follow-up, The Holy Mountain. And when Jodorowsky wanted, in his words, “another kind of music—something that wasn’t entertainment, something that wasn’t a show, something that went to the soul, something profound,” for the soundtrack to The Holy Mountain, forward came jazz legend Don Cherry and crack studio musician (and one-time Archie) Ron Frangipane to share composing and (along with Jodorowsky) conducting duties. And, boy, did they deliver—the score to The Holy Mountain is every bit as hallucinatory as the fantastic visual imagery in the film itself. The deep, primordial chants that begin the movie, “Trance Mutation,” give way to an almost jaunty percussion-and-plucked-strings melody, “Pissed and Passed Out.” On the next track, “Violence of the Lambs,” a single flute is slowly joined by a set of mournful strings while, onscreen, Gestapo-like soldiers in gas masks parade with bloody lamb carcasses on sticks. “Drink It,” an upbeat sitar folk melody, follows, briefly accompanying the main protagonist The Thief’s ill-considered decision to guzzle tequila (or sleeping potion). Then there is “Christs 4 Sale,” a blaring orchestral riff that sounds like it was ripped from a 1950’s swords-and-sandals epic. The next track, “Cast Out and Pissed,” begins with a bee-like buzz, then is overwhelmed by a cacophony of drums, horns, and, finally, screaming. “Eye of the Beholder” which follows, changes moods entirely once again—a string section swells with overwrought romanticism. (Onscreen, a group of young prostitutes prays in a church. One of them later walks arm and arm with a chimpanzee.) And then there is “Communion,” a brooding, trumpet-led number that would be at home on the noir-steeped Chinatown soundtrack. (As “Communion” plays, the Thief is not driving through Los Angeles at night but eating the face off a statue of Christ.) This veritable cornucopia of musical styles would be more than enough to fill an entire movie. It would be more than enough to fill three movies. But in fact, the eight musical compositions described above play entirely in The Holy Mountain’s first 24 minutes. Still ahead lie the hard rock of “Psychedelic Weapons,” the pomp and circumstance of the waltz “Miniature Plastic Bomb Shop,” the gospel-inflected sax of “Isla (The Sapphic Sleep),” and so on. Every one of the 24 tracks on the film’s soundtrack presents another vertiginous twist in the philosophical and spiritual journey that is The Holy Mountain. Now, Real Gone Music, in association with ABKCO Music & Records, Inc., presents for the first time ever on vinyl, the original soundtrack to Alejandro Jodorowsky’s 1973 masterpiece The Holy Mountain. The gatefold double-LP edition features liner notes by New York Times contributor Eric Benson that include exclusive quotes from Jodorowsky himself, festooned with copious production stills. Produced for release by Grammy-winning producer Teri Landi and Mick Gochanour, and mastered from the original tapes by Joe Yannece with lacquer cutting by Carl Rowatti at Trutone Mastering, this long-awaited release of Alejandro Jodorowsky’s The Holy Mountain: Original Soundtrack offers a major addition to the soundtrack canon and a completely unique listening experience. TRACK LISTING Side One 1. Trance Mutation 2. Pissed and Passed Out 3. Violence of the Lambs 4. Drink It 5. Christs 4 Sale 6. Cast Out and Pissed 7. Eye of the Beholder 8. Communion Side Two 9. Rainbow Room 10. Alchemical Room 11. Tarot Will Teach You/Burn Your Money Side Three 12. Mattresses, Masks and Pearls 13. Isla (The Sapphic Sleep) 14. Psychedelic Weapons 15. Rich Man in a Fishbowl 16. Miniature Plastic Bomb Shop 17. Fuck Machine Side Four 18. Baby Snakes 19. A Walk in the Park 20. Mice and Massacre 21. City of Freedom 22. Starfish 23. The Climb/Reality (Zoom Back Camera) 24. Pantheon Bar (Bees Make Honey…)

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El Topo (Original 1970 Motion Picture Soundtrack) LP

El Topo from 1970 was Jodorowsky‘s bloody surreal take on the Western genre and was the film that began the phenomenon of the Midnight Movie. Funded by John Lennon and Yoko Ono, this film is like a Sergio Leone film on a serious dose of brown acid. Director Alejandro Jodorowsky’s bizarre, blood-soaked blend of spaghetti Western, druggy surrealism, Christian allegory, Zen Buddhist themes and avant-garde sensibilities gave rise to the entire “Midnight Movie” counterculture phenomenon of the early ’70s. Visually stunning and brutally violent, El Topo shares the avant garde qualities of all of Jodorowsky‘s early films: the soul-baring psyche of experimental theater, the role-playing excess of costumes, props and pageantry, the ritualistic entanglements of violence and beauty as catalysts of transformation, and most importantly the notion of existence as a journey through all kinds of personal and mystical revelations both sacred and profane. Championed by everybody from John Lennon to Peter Gabriel, El Topo remains one of the controversial movies ever made The soundtrack is comprised of 18 tracks composed by Jodorowsky and John Barham inspired by both the soundtrack work of Ennio Morricone and Nino Rota. Full of flutes and droning horns, accordions and organs and twisted Mariachi styles. The music is as visceral as buzzing flies around the rotting corpse of an evil marauder. Out on LP for the first time since the original release produced by Allan Steckler for Apple Records back in 1971, this 180-gram vinyl release replicates the gatefold packaging of the original LP and includes its four-page booklet boasting some of the film’s hallucinogenic imagery. Mastered from the Original Analog Stereo Tapes. TRACK LISTING 1. Entierro Del Primer Juguete 2. Bajo Tierra 3. La Catedral De Los Puercos 4. Los Mendigos Sangrados 5. La Muerte Es Un Nacimiento 6. Curios Mexicano 7. El Agua Viva 8. Vals Fantasma 9. El Alma Nace En La Sangre 10. Topo Triste 11. Los Dióses De Azúcar 12. Las Flores Nacen En El Barro 13. El Infierno De Los Angeles Prostitutos 14. Marcha De Los Ojos En El Triángulos 15. Le Miel Del Dolor 16. 300 Conejos 17. Conocimiento A Través De La Música 18. La Primera Flor Después Del Diluvio Available from: www.onewaystatic.com (Europe, Rest Of The World) www.lightintheattic.net (North America)